Audio & Video · United Kingdom

Your Interview.
Recorded Professionally.

Microphone, camera, editing — all in one place. Rates that no commercial studio can match. Personal, flexible, exclusively within the UK.

Request a Project What I Offer
What I Offer

Three formats,
one great result

01

Audio Interview

Cleanly mic'd, quiet surroundings, mixed straight away and ready to use. Ideal for podcasts, oral history projects and conversation recordings.

02

Video Interview

Sound and picture in one session. Steady framing, clean lighting — for company profiles, documentaries and personal projects.

03

Editing & Post

Got footage but no time to edit? Just send the files — I'll bring structure to it and deliver in your preferred format.

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Recording setup
About Me

No recording studio.
But the craft that counts.

I'm an independent freelancer — not a studio, not a production agency. Over the years I've built up solid equipment: condenser microphones, a reliable audio interface, video gear with proper resolution, and the drive to produce recordings that are genuinely usable.

It started with my own recordings. Then friends asked for help. Eventually it became clear — this is more than a hobby. And that there are clients who want quality but can't afford a full studio invoice.

I only take on work within the UK. We agree the rate and process directly. Payment by bank transfer — no intermediaries.

UK Only On-site or Remote Direct Communication No Upfront Payment
Origins

The Interview — a format with history

The word interview traces back to the French entrevue — "brief meeting", "encounter in time". In English-language journalism of the 19th century it became established as a distinct conversational format. The first documented newspaper interview is considered to be the conversation James Gordon Bennett conducted in New York in 1836.

What was once a journalistic novelty is now the most common format for passing on knowledge. Podcast, corporate video, oral history, academic conversation — the interview is behind all of them. The core principle hasn't changed. Only the technology around it has.

That's where I come in: the conversation is yours. My job is to make sure the sound holds up and the picture convinces.

1836
First documented interview
100M+
Podcast episodes worldwide (est. 2025)
48 kHz
Recording quality
The Process

From first contact
to finished file

01

Contact

A short message is enough — what are you planning? No forms, no small print. I'll get back to you directly.

02

Discussion

We agree on format, date, location or remote option and rate — directly, without any middlemen.

03

Recording

On-site at your location, at mine, or remotely — depending on what your project needs.

04

Delivery

You receive the finished file directly. Payment by bank transfer as agreed.

More About the Process

What you have to say deserves
a clean recording.

Get in Touch

No upfront payment. No contracts. Everything agreed personally.

Why Sound Matters

What a poor recording
does to your content

Bad audio isn't a minor detail. It decides whether someone keeps listening — or closes the window. Research in auditory psychology is clear: noise, reverb tails and compression artefacts directly affect perceived credibility — regardless of what is actually being said. A poor listening experience makes audiences instinctively question the care taken.

This applies to podcasts just as much as to corporate films or oral history projects. Anyone who has something worth saying needs a technical foundation that supports it. Good recording technique isn't an added expense — it's the foundation.

"Poor audio is the quickest way to devalue good content."

That's why I use condenser microphones that capture even quiet voices clearly, acoustically controlled environments, and an editing workflow that removes background noise, breath sounds and interruptions in post-production — before the file reaches you.

The goal: recordings where the technology becomes invisible — and the content is what counts. What exactly I offer →

Reviews

What others say

"I wasn't sure what to expect — I'd never recorded a podcast before. The result sounds completely professional, and the atmosphere during the session was refreshingly relaxed."

Sarah T.
London

"The whole job was done remotely — I sent the footage over and he handled the rest. Editing was precise, delivery was on time. Would strongly recommend."

James W.
Manchester

"We needed oral history interviews for a community project — budget was tight. What came out was far better than we expected."

Emma R.
Bristol

* Testimonials from clients. Names abbreviated for privacy. Individual results may vary.

The Equipment

The equipment in detail —
and what it means for your recording

Microphone

Large-diaphragm Condenser

Condenser microphones capture tonal nuances more finely than dynamic models — the voice sounds more natural and present. The best choice for speech, interviews and voice-over.

Signal Chain

Audio Interface with Preamp

The audio interface converts the analogue signal cleanly into digital data — at 48 kHz and 24-bit, the standard of professional productions.

Video

Camera + Lighting Setup

For video recordings I use a camera with a large sensor — natural depth of field, balanced colours, clear image even in tricky light. With three-point lighting system.

Post-production

Editing, Mix, Export

In post-production, background noise, breath sounds and unnecessary pauses are removed and levels are balanced. You receive the result in your preferred format — MP3, WAV, MP4 or other.

No studio required. I come to you or we handle everything remotely. At the end what matters is one thing: a file you can use straight away. Just get in touch →

Where I Work

On-site or remote —
UK-wide

I only take on work within the United Kingdom. For on-site recordings I come to you — home, office, meeting room, as long as it's reasonably quiet. For audio-only productions, editing or voice-over work I'm fully available remotely.

Remote means: you provide the material or the script, I deliver the finished product — no in-person meeting required.

London Manchester Birmingham Bristol Leeds + all across the UK
FAQ

Frequently Asked Questions

Do I need to bring my own equipment?

No. I bring everything — microphone, audio interface, camera and lighting. You just need a reasonably quiet space. For remote-only work (editing, voice-over) even that isn't required.

How does payment work?

By bank transfer only — after delivery of the finished file. No upfront payment, no PayPal, no payment processors. We agree the rate in advance so there are no surprises.

How long until I receive the finished file?

It depends on the scope of the project. For a straightforward audio interview, typically 1–3 working days after recording. For video projects or extensive editing, a little longer — we agree the timeline in advance so you can plan accordingly.

Is fully remote collaboration possible?

Yes — for editing work, voice-overs and pure audio production this works entirely remotely. You send me the material or the script, I deliver the finished result. We never need to meet in person.

What format will I receive the finished file in?

In whatever format you need. Typical for audio: MP3 (192–320 kbps) or WAV (24-bit / 48 kHz). For video: MP4 in Full HD or 4K. If you need something else, we agree that beforehand — I'll adjust the export accordingly.

Curious?

Sounds good? Samples available on request

I'm happy to send audio samples and editing examples on request. Just drop me a message through the contact form.

Request Samples